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DRIVEN TO ABSTRACTION: Devlin
with Mark di Suvero’s sculptural homage to
a mathematician, The Sieve of Eratosthenes, installed
on campus in 2000.
Rod Searcey
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radio
fans who listen to National Public Radio’s “Math
Guy” might be surprised to learn that the Stanford
mathematician has yet to teach a course on campus. After
all, Keith Devlin has built an unlikely following on a
difficult subject with his breezy insight. He’s “a
great teacher and a superb communicator—he has a
way of making you excited to see the strings of math that
pull on our lives,” says Weekend Edition’s host, Scott Simon. “We have the math slot only because
it’s Keith.”
At Stanford, Devlin has been fully
occupied since 2001 as executive director of the Center
for the Study of Language
and Information, where he applies mathematics to human-computer
interactions and helped start the multidisciplinary Media
X program. But he applies his teaching skills in other
ways. Devlin contributes a lively monthly column to the
Mathematical Association of America website—one recent
topic was the demonstrably nonrandom quality of “random” airport
security checks. He has also written a string of math books
for general readers.
William Frucht, his editor at Basic
Books, says most authors are either entertaining or accurate
on the subject, not
both. “Keith is one of the few people who manage
to write entertainingly about math and yet can be trusted.
He’s the only person I know who could not only
explain group theory but actually make it sound simple.”
That’s
what convinced Frucht, despite Devlin’s
protests, that the author was up to the challenge of describing
what the mathematical community considers the seven greatest
unsolved math problems of our time. The result: his latest
book, The Millennium Problems (Basic Books, 2002).
In it,
Devlin explains why modern math is so hard for non-mathematicians
to grasp. Whereas it’s possible to explain the gist
of state-of-the-art physics and biology research in a few
paragraphs, today’s math is too abstract for a general
audience. With this caveat, Devlin proceeds to lead readers
up the chain of abstractions necessary to appreciate the
nature, history and significance of each problem—even
the inscrutable Hodge Conjecture, which Devlin says he
himself doesn’t fully understand. His goal: to make
the book accessible to anyone with a good high-school math
education and a strong interest in the subject.
Devlin,
a native of England, has been writing about math for
a general audience for 20 years, ever since, just for
fun, he submitted an April Fool’s story to the Guardian, a British daily. The idea was to report a true mathematical
result so improbable that readers would take it as a hoax.
The paper’s science editor, Tim Radford, says Devlin’s
work was so “gleaming and enjoyable” that he
made him a columnist, a gig that lasted until 1989. His
collected columns were published as All the Math That’s
Fit to Print (Mathematical Association of America, 1994).
By then, Devlin had moved to the United States, becoming
dean of science at St. Mary’s College in Moraga,
Calif., before joining Stanford.
Born into a working-class
family in a rough dockside area of Hull, young Devlin
seemed an unlikely candidate for
college, let alone graduate school in mathematics. But
he passed the exam that in brutally efficient, binary
fashion permanently placed all 11-year-olds in postwar
England
on either the college-prep or vocational track.
Devlin says
he hated math in elementary school and passed the 11-plus
mainly on the strength of his verbal skills.
But the Soviets’ launch of the Sputnik satellite
in 1957 so excited him that, like many of his generation,
he set his mind on becoming a scientist. “I was remarkably
ignorant of what science was about,” he says in his
rolling Yorkshire accent, “but pioneering was clearly
the appeal.”
To do well in science, Devlin dutifully
applied himself to his math studies—which he found
unexciting until he got to calculus. “Calculus is
just magical,” he
says. “It gives you answers to problems that by all
rights you shouldn’t have answers to.” For
the first time, he saw mathematics as a subject full of
beauty and wonder all its own.
After earning his PhD, he
started sharing his passion, first in obscure research
monographs, then in graduate
and undergraduate textbooks. He worked to enhance his
prose style by analyzing writers he admired, especially
Martin
Gardner, the legendary math popularizer.
“It’s all about getting the right metaphors,” says
Devlin. In a calculus CD-ROM, Devlin introduces the principle
behind integration by slicing an onion. “The more
abstract the concept that you want to explain, the more
concrete and earthy the metaphor must be,” he says.
Devlin
uses the London Underground map to show what topology
is all about in The Millennium Problems. First, he notes
that while the map’s scale, distances, straightness
and geographical directions of the subway lines don’t
conform to reality, the depiction of the network (i.e.
the order of the stations and the places where lines
intersect) is correct. As Devlin explains,
If the Underground map were printed on a perfectly elastic
sheet of rubber, it could be stretched and compressed
so that every detail was correct, giving a standard, geographically
accurate map, drawn to scale, with every stretch of line
correctly oriented to the compass bearings. This stretching
would not affect the way the lines connect the various
stations. The reason, in mathematical terms, is that
networks
are topological objects. You can twist or stretch any
of the connecting lines in a network without changing the
overall configuration. To change the network, you must
either break a connection or add a new one.
He points out
that the same holds true for electrical circuits, computer
chips and the Internet. “This is why ‘rubber-sheet
geometry’ is one of the most important branches of
mathematics in the world today,” Devlin writes.
Devlin
also knows how to tell a story. A chapter in The Math
Gene: How Mathematical Thinking Evolved and Why Numbers
Are Like Gossip (Basic Books, 2000) begins with an ingenious
allegory of “Emily X,” a disturbed mathematical
prodigy who mysteriously disappears for several years only
to return with cryptic accounts of her lost time. Storytelling
is indispensable in The Millennium Problems, which would
leave many readers out in the cold without its accounts
of the generations of mathematicians whose work led to
each problem.
Articulate and personable, Devlin belies
the stereotype of the reclusive, socially inept mathematician.
But he
concedes there’s some truth to the image. Mathematicians’ work,
he says, is judged solely on the quality of the results,
and personality will get you nowhere. Also, as he explains
in The Math Gene, the best mathematicians are people to
whom the abstract feels intensely real, occasionally making
them act absentminded when the real world intrudes.
Still,
the central thesis of The Math Gene is that we all have
the capacity for mathematical thinking, just as we
do for language. Those who doubt might try tuning in
to the Math Guy.  |