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ACROSS THE COLOR LINE: Moya writes
about interracial friendship.
Linda Cicero
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office hours are
a pleasure for Paula Moya. Every 15 minutes or so, a new
student with a new passion bursts through her door.
“They’re students who care about social justice
and who are interested in studying race and ethnicity,” she
says. “But
other than that, they are infinitely varied—interested
in art, drama, English, political science. They’re
likable, they’re fun to work with, and they’re
running the world in their spare time.”
Moya, an associate
professor of English, clearly has enjoyed her first
year as director of the Center for Comparative
Studies
in Race and Ethnicity. With more than 100 students
completing majors and minors, comparative studies in
race and ethnicity
(CSRE) is one of the fastest-growing degree-granting
interdisciplinary programs on campus—and a model
for several new programs at other universities. Students
can
choose from four majors:
CSRE, Asian-American studies, Chicana/o studies and
Native American studies. Those majoring in African
and African-American
studies and Jewish studies also enroll in CSRE’s
core curriculum.
Moya talks with every student who enters
the program
and she advises seniors, helping them all find a thematic
focus
for their work—literature and the arts in minority
communities or liberation studies, among others. “One
can’t
hope to understand race and ethnicity in America in
four years,” Moya
says. “But we want to make sure that when they graduate,
they have a better understanding of some aspect.” As
Moya recalls the 13 honors theses of the Class of 2003—one
of which won the University’s Firestone award—she
is struck by the range of interests. In a paper titled “Politickin’ and
Knowledge Kickin’: Political Mobilization and Hip
Hop,” Kia
Franklin looked at what Moya calls the “sharp critiques” of
politics in hip-hop lyrics. Two seniors examined one
of the major emerging topics in comparative ethnic
studies: biracial
identities. Katrina Logan asked and answered the question “Who
Am I? The Construction of the Self in Three Biracial
Autobiographical Works,” and Jill Parker addressed “The
Stigmatization of African American Multiracial Individuals
and Its Impact
on Multiracial Kinship.”
More than 100 faculty are
affiliated with the CSRE center, offering some 120
courses that are cross-listed
in 14
departments. The center also provides fellowship programs,
seminars, study
groups and career development for graduate students
and includes the Research Institute of Comparative
Studies in
Race and Ethnicity,
which sponsors policy-oriented conferences.
When the
center was established in 1996, Moya had just been
recruited to Stanford to teach Chicana/o cultural
studies and feminist theory. In her second year on
campus, she co-taught
Introduction to Chicano History and Culture with
founding center director Al Camarillo, and in 2000 she
received funding from
a junior faculty development project at the center
to finish the last chapter of Learning from Experience:
Minority
Identities,
Multicultural Struggles (UC Press, 2002). Moya credits
that book with helping her earn tenure in the English
department last year.
As a graduate student at Cornell
in the early 1990s, Moya was attracted to a literary
theory called postpositivist
realism.
As a Latina raising two young daughters on her
own, she also was confronted with the reality of her
own experience. Those
themes are evident in the title of her recent book
and
they have determined the focus of much of her scholarship. “Some
of the extreme claims of people in literary criticism
make no sense to me,” Moya says. “They
claim there’s
no reality out there, that we make it up in our
heads, that it’s all discourse. But I think part
of the reason you talk about truth is because you believe
[something is] true.
You’re not just expressing an opinion or preference.”
In
her latest writing, Moya draws on a lifetime of
what she calls deep, sustaining, important friendships
with
people of other races. “When we’re thinking
about race and racism and emotions, it’s often
negative emotions that come to mind first,” she
says. “But at some
level I really get tired of the assumption that
my racial identity is always a negative one. For me,
it’s not. I don’t
forget about it—it’s always there—but
it’s
often a very positive thing. And I’m enjoying
writing about interracial friendship more than anything
I’ve
ever written.”
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