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Our Contributors
Writers
might shudder at the thought, but to
GREG
SPALENKA, "mixing
and matching metaphors" is the key to a successful
illustration. He even uses one to describe the components of
his work: "It has a foundation, like the foundation of a
building. It's strong. The decorative elements are all on
top of that; and stylistically, they can be done in a lot of
different ways." In his opening illustration for "The
Island," a short story about a father-son conflict,
Spalenka shaped the characters' faces from a cliff and a
cloud, then added their colors and expressions. When he's
not constructing illustrations for magazines like Time,
Playboy and Sports Illustrated, Spalenka, 41,
pursues his own multimedia projects, including The Visions
of Vespertina, a "new age Gothic" art book and cd produced
in collaboration with fellow artist Michelle Barnes. He
lives in Woodland Hills, Calif.
By
day, ROBERT
GARDNER works at an Army arsenal. By night, he
writes. Gardner, whose story "The
Island" won our fourth annual fiction contest, is an
engineering manager with the Soldier Biological and Chemical
Command, making protective gear for U.S. troops. He commutes
to Rock Island Arsenal, in the middle of the Mississippi,
from his riverfront home in Hampton, Ill. It was a different
island, however, that inspired the fiction piece. "A few
years ago, I traveled to Corfu--Kerkyra, in Greek. I was one
of those tourists in the story," explains Gardner, MS '66
(engineering). "The Island" is his first published work. The
60-year-old father of two is now struggling with a novel,
which he describes as "a love story involving time
travel."
KERRY
SHAW got the idea to profile
newly minted Laker Mark Madsen when she saw an article in
the Los Angeles Times describing how Madsen, '00,
accompanied Shaquille O'Neal on a Beverly Hills jaunt to buy
Rolex watches for the entire team. "I thought it was
interesting that one of my peers had entered this world,"
says Shaw, '99, MA '99. She confirms that Madsen is just as
nice as everybody says. "He even uses happy faces in his
e-mails." Still, it was hard not to be starstruck as she and
photographer Art Streiber, '84, followed the NBA rookie
around for a day. Madsen fixed breakfast for
Streiber--"okay, he microwaved a cinnamon roll," Shaw
concedes--and "Art couldn't wait to tell his brother that a
Laker served him breakfast." Shaking O'Neal's hand also made
Shaw's highlight reel: "It's the size of a dinner plate!"
Shaw landed a pretty cool job herself: she's an assistant
editor at FilmFestivals.com in Paris.
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